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Artist · Author · Creator of Master in a Minute®

Jennet Inglis

Originals and prints available – browse the gallery or visit the Etsy shop.

rockfish gap painting
Autumn in Rockfish Gap, Shenandoah ValleyDPI on paper · 22 x 30 inPrivate collection of Heather Locker – St. Louis, MO
About Jennet

Meet the Artist

From Virginia's Shenandoah Valley, Jennet Inglis™ creates work that invites you to slow down and look more closely at the world around you.


Jennet Inglis

Artist · Author · Creator of Master in a Minute®

Friends and colleagues refer to me as a creative savant. I am often told I must be superhuman, when it's simply genius autism. I used to cover up my autism because I felt unsafe being myself. But my thousands of paintings speak for me, so I can't deny who I really am. My world seems to slide through space at a different speed and amperage than those around me. One perception of myself is that ALL Time physically resides in me.

One of my first memories is being in a stroller in Manhattan when my mother stopped at a corner flower market. My face was pressed into those flowers, while my eyes were filled with their colors and shapes. I still remember those flowers, which is partly why I had to create these coloring books: to share with you my joy in nature.

My autism gives me a purpose, which is to inspire future generations. To that end, I have developed several public installation projects that synthesize Science, Art, and Spirit. I am grateful that my work profoundly affects others. I have been told, over and over again, that my projects will make a difference. So, here it is! I'm coming for you!

Jennet Inglis signature

 

She's So Good !  Jennet has real art talent !  I want to see her become more well known for her work . 

Temple Grandin

Author of The Autistic Brain and USA Today Women of the Year 2025

art glass from Jennet's Etsy shop
canvas tote from Jennet's Etsy shop
leggings from Jennet's Etsy shop

Shop

Prints, originals, and more - browse Jennet's shop on Etsy.

Selected Works

Mind Treasures Samples

Snow-covered Blue Ridge valley framed by reddish winter trees and a low wire fence, beneath a wide blue sky filled with windswept white clouds.
Dunn's GapDPI, Conté pencil on printmaking paper · 22x15 in
Hazy December view of Rockfish Gap with layered violet ridgelines receding under a soft blue sky scattered with white clouds, above a rust-and-ochre foreground of winter brush.
December Haze Over Rockfish GapProprietary Pigment Impasto (DPI) on paper · 18x24 in
Aerial spring view of the James River winding through pale-green and lavender-dappled woodlands, distant blue ridges layered along the horizon under a cool morning sky.
April, James RiverDPI, Conté pencil on watercolor paper · 15x22 in
Hummingbird in flight against a black ground, wings rendered in violet and electric blue, body in iridescent green and orange, beak reaching toward a red and yellow blossom.
Summer NectarCharcoal on printmaking paper · 15x18 in
Quick pastel sketch of a single Eastern bluebird perched on a thin branch — vivid cobalt head, rust breast, pale yellow underbelly — against a soft sky-blue ground.
solo blue boyDPI on printmaking paper · 8x10 in
Lush oil still life of pink amaryllis, deep-purple irises, and trailing columbine arranged in patterned green, blue, and floral cloisonné vessels on a wooden tabletop in a sunlit room.
Amaryllis, Iris, and ColumbineOil pigment on board · 30x36 in
Bold still life of red, yellow, and white tulips arranged in a turquoise-patterned ceramic vase and a clear blue glass pitcher on a crimson tabletop, set against an abstract magenta and teal ground.
Spring TulipsOil pigment on paper · 22x30 in
Three dark amaryllis blossoms in deep eggplant and black, lit from behind by a luminous violet wash that reads like a thunderhead at midnight.
Midnight Nimbus AmaryllisGouache, pencil, & pigment on museum rag board · 14x20 in
Hand-coloured ink drawing of a dahlia in full bloom, petals fanned in vivid jewel tones — emerald, violet, magenta, gold — radiating from a magenta centre.
Virginia DahliaInk on printmaking paper · 8x10 in
Loose monochrome charcoal study of a vase of tulips, several buds tilting outward, drawn in fluid violet-black lines on cream paper.
Chelsea TulipsCharcoal on printmaking paper · 22x30 in
Detailed pen-and-ink drawing of a least grebe paddling on still water with two downy fledglings beside her, their reflections rippling in cross-hatched lines.
Mother Grebe and FledglingsInk on printmaking paper · 8x10 in
Reclining female nude rendered in expressive charcoal, drawn in sweeping gestural strokes on white paper.
Mariana, the GreatCharcoal on printmaking paper · 22x30 in
Loose ink-and-watercolor composition of stylized churches and crosses encircling a stained-glass-like rosette in red, blue, green, and yellow at the center.
Body Temple: Roseheart, 1India ink & watercolor on paper · 22x30 in
Dreamlike pastel portrait of a child's deep-blue face crowned by a small teal butterfly, set against pale lavender and yellow washes — a tender, surreal study.
Rocking Horse KidDPI on hand-made paper · 18x24 in
Small fiery orange-and-green orb suspended at the centre of a deep cobalt field, glowing like a pulsar in the void.
Pulsar BabyDPI on handmade paper · Approx. 18x40 in

Asked by a news-reporter about artists in the Shenandoah Valley who are great but, hmm, a little too progressive for the area, I responded, ‘We have a world-class artist living here.  There is only one. We are lucky to have her here. Her name is Jennet Inglis.

Piper Groves

Director, Shenandoah Valley Art Center

Waynesboro, VA

 First, international artist, Jennet Inglis, is as great as the old masters.  And, second, our modern masters.  I believe she will be the leading artist of the 21st century.

Yvonne Friedrichs

Award-Winning Art Critic

Neandertal, Germany

Light hidden in darkness – my first thoughts on seeing the works of Jennet Inglis.  My second thought - the quote from Guillaume Apollinaire, in 1912 about modern painting:   “Pure painting means perhaps pure light…” Thus, I pay the highest compliment to Jennet Inglis:  I say  you are creating pure painting. You open for the viewer insights into the unknown origins of human being and thinking.

Mario Andreas von Luttichau 

Director, Folkwang Museum

Essen, Germany

I've always been so impressed with your work, but your current work is way beyond any very-high expectations. I'm amazed at how fresh and charming your work is. Like no other. I feel like it’s time that your brilliant work be more widely known.

Lea Williams  

Santa Barbara, California

…it is especially satisfying to be part of a true artist's passion and vision. As well, witnessing the excitement of how materials take to a canvas, and to have that application surpass the vision itself.  Most of all is to hear that my insignificant wish for a painting has allowed the joy that is everywhere in the world be a daily event in your studio. Now, through you, I have yet another example of how God's gifts to this world can be understood and enjoyed.

Mark Krebs

Art Collector

Charlottesville, VA

Jennet draws as well as Rembrandt, and paints like Cezanne – that breakthrough thing!  The one thing that most observers cannot get their minds around is the breadth of both the subject matter and the multiple mediums she has truly mastered. It all gets back to the drawing!

Anderson J. Hord

Noted Art Collector

Ivy, VA

Master in a Minute®

Jennet spent over thirty years mastering the art of seeing. The Master in a Minute® series invites you to start your own practice, one minute at a time. The first volume, Sunflowers, is available now.

Cover artwork for Master in a Minute: Sunflowers